by David 

How to Wire DMX for Stage LightingLighting Console Layout for Events with Camera (A.K.A Every Event)

For beginners in stage lighting, one of the ideas that can be baffling is how to wire up all of your fixtures.  Back in the “old days” you simply ran control cable to your dimmers, and power out to your conventional fixtures.  It was pretty simple overall, with no “settings” or configuration required on your lights.

Today, however, this all gets to be a little more complicated!  Most, if not all fixtures in a modern lighting rig require DMX signal, and so it can get a little confusing when you’re trying to manage it all.

Check out the video below for the basics, and then we’ll talk go a little deeper into detail:

The Basics

When working with a lighting console, whether it’s a PC-based or hardware, the console will come with a DMX output. A DMX output sends out a signal to communicate with lighting fixtures.

The Daisy Chain

The daisy chain is a simple wiring method where you wire each fixture looping out of the previous fixture to create a line of fixtures connected back to the console.

Example: Let’s say you have 4 LED Fixtures. Most fixtures will have a DMX input and a DMX output. From the console’s DMX output you will wire into the fixture or device’s DMX input and wire out via the DMX output to the next fixture or device.

So, what happens when you reach the last fixture? You will have a DMX output that’s not being used.

The “spec” requires that you’ll then use a DMX terminator to stop the data from reflecting. But in most situations, this will not be needed.

DMX Terminator: Here’s one if you need it!

32 Fixture Rule – DMX only allows you to connect up to 32 fixtures in a single daisy chain for signal strength.  Sometimes, depending on the fixtures and cable length, this number is less (or more).

Realistically most people recommend only setting up 16 – 20 fixtures or devices in a Daisy Chain. This is because some fixtures may be “heavier” or “lighter” on the DMX Line.

Devices would also include a Dimmer Pack. A dimmer pack can connect 4 – 8 lights but still only count as one device in the daisy chain.

Splitting DMX 

To get around the 32 fixture rule, you can split your DMX signal and create multiple daisy-chains.

In the simplest form, a DMX splitter takes the DMX output and just copies it multiple times. A DMX Splitter can also be known as an “optical splitter” or even an optical isolated splitter.

Splitting your DMX also can help you make your cable runs cleaner, and isolates different runs of fixtures.  Check out my favorite DMX splitter here.

A DMX splitter can also protect your console in the event that you connect a faulty light up to it!  I recently was talking with another lighting designer, and he shared with me a story of a client who fried a $15,000 lighting console because they hooked it up to a cheap LED fixture.

The LED fixture was not a name brand, and something went wrong internally, sending voltage down the DMX line and killing the DMX chip in the console.  Not cool, and an inexpensive DMX splitter would have taken the heat instead of the expensive console, had they used one!

Some splitters will feature a 3-pin or 5-pin for each output. When a splitter has both 3 and 5-pin on one labeled output, you will need to either choose between a 3-pin or 5-pin, you cannot use both!

If the splitter’s plugs are labeled separately on the output, then you are able to use each plug if needed.

When a Fixture Has 3-Pin and 5-Pin Inputs and Outputs…

When you have a fixture that has both a 3-pin and 5-pin input/output it is the same principle as working with a splitter.

You can have 3-pin output and 5-pin input or vice versa but you cannot have 2 inputs and/or 2 outputs.

You can’t use 3 and 5 pin DMX jacks on fixtures as a split!

Multiple Universes

A console with multiple universe outputs

DMX lights these days can take up more channels than ever before, and when you need more than 512 Channels you’ll need to start a new DMX universe.

A DMX universe is simply a new, fresh set of 512 DMX channels to control your lights.

When you have multiple universes your console will note these Universes as DMX 1, and DMX 2 (and 3, and 4…) and the address will show this as well in the patch section.  Some consoles will use letters instead of universe numbers (i.e. A, B, C…)

You can just wire the universes separately, it’s really that simple!

Just remember to keep the fixtures and devices on the desired universe only. You cannot mix these, as regular DMX lights can’t understand the difference between universes and will, therefore, do the wrong thing!

When your console has multiple universes, you can “zone” your lighting rig by different universes to stay organized keep your wiring simpler. 

Also, DMX splitters can’t span multiple universes, though some allow you to input 2 universes and choose which ports you want to assign to each output.

The Future

As I mentioned in the video above, DMX is always changing, and we’re always seeing more and more new lights that have even more channels then before.

Some lights today can take networked DMX in natively, and don’t even use DMX cables at all! As we move further into the future, this will probably become a larger part of our lighting!

Still, even with regular DMX fixtures, it’s becoming more and more rare to need DMX splitters – as we move forward and prices continue to fall, we’ll be seeing more shows move to use Art-Net and sACN nodes instead for those lights that require “old-school” DMX.

I hope you really enjoyed this article, and that it helps you to create great lighting.  There’s nothing worse than hitting a technical hurdle in your lighting!

About the author 


  • Nice blog you have going on here. I like that you are giving back the knowledge that someone taught you. Or you taught yourself. One little thing. It is an unwritten rule in the concert touring biz that we never link together more than 16 fixtures, because as you said cable lengths and inpedence issues caused by signal drop can occur if you stretch it too far. So if you have power and signal cables over 100′ long it will probably be no problem 9 out of 10 shows. But on that 10th show it may just bite you on the behind.
    If you turn your lights on and a few of them seem to be jiggling and moving by themselves while others are working, chances are you have overloaded that signal and will need to run another dmx line up to split those lights into groups of 16. Hence the unwritten rule. If you have 16 lights daisy chained together you should have very little trouble with signal flow.

    • Hey Andrew,

      The answer to that is….sometimes! Many modern LED fixtures do have the ability to daisy chain additional fixtures, and have listed the maximum # of fixtures you can do this with (VERY IMPORTANT!).

  • quick question for you david. in my lighting i often run a martin acrobat and a martin mx1 one or both depending on how much room i have. i have a chauvet obey 70 console. the problem is getting the older martins with dip switches properly addressed. any ideas. love your videos and info, learned alot from them.

  • David question I’m lighting a hotel with rgbw strip leds dmx what type cable do I daisy chain from light to light is it just a 2 conductor cable or 2 pair

    • Hey Chris – this depends a lot on the type of strip. If it is non-pixel strip, you need 5 conductor cable. Pixel strips will take either 3 conductor or 4 conductor, depending on the type.

  • This is very helpful, but I’m still needing help with my moving heads, Lasers, par cans and older High End Lighting systems. How to I go about wiring up a system that contains up to five different types of lighting fixture.

  • Hey David I’m not even a novice–I’m a dinosaur. Further complication is that I don’t want to control lighting.I have 4 DMX controllable flame projectors & want to add 4-6 Shoven spark machines which I’m sure you know are just cold spark fountains.
    I have bought a DMX controller (looks just like a keyboard?). It’s wireless and I have bought wireless units for the flame projectors. But what now? What goes where & what makes it go bang?
    Like I said I’m old and don’t have a clue. Can you or more accurately will you please direct me where to go or what to do?

    Thanks for your fascinating site–wish I knew what it meant.

    Scott M

  • This video was really helpful. I’ve got a fair amount of background in stage lighting but I’m completely new to DMX. I wonder if anyone has some suggestions to help with troubleshooting. I’ve plugged my console to my fixtures, but they’re not talking to each other. I’ve tried daisy chaining multiple fixture and just one, but I’m getting nothing. Any help would be appreciated.

  • {"email":"Email address invalid","url":"Website address invalid","required":"Required field missing"}